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Five Tips for Consistent Photographic Results

 

New Hampshire stream
Soft light can be beautiful for certain scenes.

Be hyper sensitive to light

This is one of the first things I teach my students. Learn to feel the light. How is it playing on subjects? According to Alfred Eisenstaedt “You sense the light with your eyes and respond with your emotions”. If you are always aware of light and how it reacts to the scene around you your decisions in photographing it are much better. So take the time and look at how light reacts to things around you. Just sitting reading a book, or in your car driving. Once you start really looking at the light you will begin to feel it.

Pre-visualize your subject

This next step is essential in getting consistent results with your photography. If you know what the final result will be you have a better chance of achieving it. I often give my students a 35mm slide mount painted flat black on one side white on the other. This method has been used for many years, mostly with a 4×5 frame card. I have used a larger 3:2 ratio cut out but it is far easier to carry around a small 35mm slide mount. So instead of using your camera use the slide mount to pre-visualize what you are going to shoot.

The critical part is knowing by instinct what you are going after and how you are going to get there. Very seldom do I make decisions while editing. I know before hand as I am shooting what I want. Part of my process is to decide before I shoot how I will crop, and post process the image. At this point it is instinctual. I know my camera and lenses so well that decisions on how the eventual image will look are done before I press the shutter. Now that being said, some tweaking in Lightroom may be required to gain that final vision.

People often ask me about my B&W work and do I shoot everything in color to start. Most of the time I will shoot in color so I don’t lose the option of having both. But I know beforehand what the final result will be. I like to shoot in B&W every once in awhile as it keeps me sharp and making my B&W pre-visualization sharp. With mirrorless cameras it is easier as you are looking at a B&W image in the view finder when set to monochrome.

Dinghy's & Motif
Early morning light gives everything an incredible look.

Your Process

Once you have a repeatable process of making photographs you will begin to have repeatable results. If you learn one thing from this post its that last quote! I tell my students to develop there own repeatable process to making photographs. Let me explain. Do the same thing every time in the same order. Once you have this process down everything else becomes much easier. Here is my process which for you folks might be different.

  1. Find your composition using slide mount or camera
  2. Set your tripod up and mount the camera
  3. Set your focus point
  4. If using filters mount them and figure exposure
  5. Check your composition and focus point
  6. Make your first image
  7. Check preview for exposure and focus
  8. More exposures with different shutter speeds using live view

When I free form shoot, just walking about, my process is different when not using a tripod. I will try to make things easy by shooting in aperture priority and setting the ISO myself keeping in mind what my lowest allowable shutter speed is.

Sunrise reflection
Leading lines – one of my favorite composition rules

Only use two or three composition rules

This may seem obvious to some but to others trying to use to many composition rules messes them up. I am hyper aware of only two. The Rule of Thirds and Leading Lines. My third go to is uneven numbers in a composition usually one or three. Simple and effective. There are tons of others which as far as I’m concerned are all just some form of my first two. So don’t get wrapped up in trying to find weird compositions just pick two or three and things will become a lot easier.

Practice

Just like anything else the more you do something the better you will become at it. I give my students things to practice on that will help them improve. My favorite is to have them tape their zoom lens on a certain focal length. My favorite is to make them shoot at 50mm only. This is a tough focal length since most people shoot with a 28mm as their main lens. Most zoom lenses are 28 – 70 or longer. Once you practice at one focal length you will start to see differently. Another thing I preach is to always have a camera with you. If you do you will always be ready for an image that just begs to be taken. Plus you will be making more images and therefore practicing more. So practice makes perfect is a great motto for photographers. Now that being said don’t practice the same thing all the time. Shoot different things to challenge yourself. Different focal lengths, different lighting, different subjects.

If you keep these five things in mind you are bound to become a more consistently good photographer. The hardest one of these five things is your process. Once you get this one thing down making great images consistently will become easier.

 

 

The iPhone, always ready for a photo

Essex Marsh
Fading afternoon light splashes across the autumn colored Essex marsh lighting up the iconic marsh house.

I have never been a big advocate of iPhoneography. But since some of the new photo apps do such a good job of toning and adjustment I am using my phone more and more. My go to app is the Lightroom Mobile app which I use on my phone and my iPad. I’t just like using Lightroom on my computer and gets better with every update. The image above was made as I was shooting images with a long lens and a friend wanted to know what it looked like. I pulled out my phone and made this image which was immediately synced with Lightroom. So when I got home and opened up Lightroom there was my image.

Rockport Sunset Harbor
Rockport’s inner harbor lights up with a beautiful sunset.

The image above is one of those times when I was glad to have my phone with me. I was with friends and my camera was not with me. So out came my phone and inside the Lightroom app I was able to shoot in raw and then sync to Lightroom on my computer.

Sunset reflection
A Rockport Harbor sunset reflects in a window of the Sandy Bay Yacht Club.

After I made the shot in the harbor I started looking around for another shot of it and this is what I was faced with. Again the phone was ready for the task in raw inside the Lightroom Mobile app.

Motif sunset
Rockport’s famous Motif #1 sits underneath a beautiful sunset at the end of August.

The only thing wrecking this image is the two ultra modern motor boats tied up in front of the Motif. This sunset was absolutely stunning with it’s different colors changing constantly. Again my phone was the only thing I had so out it came and I used the camera inside the Lightroom Mobile app to shoot in raw which gave me a great chance to get the tones I wanted from this image.

So if you use Lightroom CC Basic or Lightroom CC cloud you have access to the Lightroom Mobile app in the Apple app store. It costs nothing and it syncs up your phone photos to your Lightroom catalog as long as you turn on syncing. The mobile app hooks up to your phone when you activate it and allows you to shoot raw images. Inside the Lightroom Mobile app, when you set the app to Pro mode you are able to control the camera’s white balance, ISO, shutter speed, and exposure compensation. This is a huge deal! Imagine this, if you click on the little padlock it locks your exposure. Pretty impressive.

Try it you’ll like it!

 

 

 

Finding the Photo Nuggets

Traveling to a new location can be exciting and overwhelming at the same time. Recently I had a client in from New Jersey and she was very excited for her photographic adventure. Cape Ann is not new to her but she was still a bit overwhelmed by the beauty this location offers. This was a three day excursion but she had some things in mind that she wanted to capture.

This was a key to making her tour work as well as it did. I wanted to start off with something fun and easy so sunrise was a great choice and Good Harbor Beach came through like it usually does with a beautiful sunrise. A photographic nugget if there ever was one.

sunrise_good_harbor_beach
Sunrise Good Harbor Beach

The rest of the morning on our first day came easily as we moved over to Rockport and ran into Gussy the lobsterman. A great character who explained his bait and how the lobstering would go for the day. My client did a great job of photographing him and telling a little story (another post on story telling while traveling will feature her photos). Gussy was an incredible nugget!

lobsterman_gussy
Gussy heads out to his lobster boat.

I felt it was important to look for different things so we started trying out different compositions of interesting subjects. Shooting through this window while shading the camera made for an interesting image.

refections_shadows
Long early morning shadows play on a floor shot through a window.

Looking at things differently can be fun! You just need to think differently when looking for interesting subjects. Another nugget!

lobster_shack
This lobster shack has an interesting window.

I love this lobster shack as it has a great sign in it along with buoy’s on the outside and traps next to it. The entrance is even more interesting but we have shot it before. A nugget for sure!

One of the things my client was hoping for was some fog. On the second day we found some and I made this photo while I was waiting for her.

foggy_fishing
A fisherman watches the fog clearing off Atlantic Rd. in Gloucester.

An unexpected nugget.

The next day we headed over to Rocky Neck to see what we could find and came across this old rusty bike against a green background. Wow, what a find!

Rusty_bike
Old rusty bike up against an outside wall at Sailor Stan’s on Rocky Neck.

Photographic nuggets seem to jump out at you when you slow down and walk about! We shot every angle of this bike – close, far way, you name it every angle.

Day three was rainy with thunder storms here and there.

We headed over to the Essex Shipbuilding Museum and looking for more nuggets! The rain had stopped and the sun was peaking through here and there so the contrast with everything wet was awesome! Nuggets everywhere!

Oars_shack
Oars lean up against a shack at the Essex Shipbuilding Museum in Essex, MA.

These dories all lined up created an interesting composition with the Burnham shipyard in the background!

Rowing_dories
Rowing dories wait to be used at the Essex Shipbuilding Museum.

On the last day in the afternoon we dodged some rain drops again and looked for some great compositions at Granite Pier in Rockport. I knew that traps, buoy’s and other assorted fishing gear is in abundance there so we headed over for more nuggets.

Lobster_buoy's_and_skiff
Lobster buoy’s and a skiff wait to be used at Granite Pier in Rockport.

The use of a ultra wide 15mm was the key to making this shot work. Very cool!

Then we ended our three day adventure with an appropriate sunset at Cambridge Beach in Annisquam. It was a little disappointing but certainly not bad and still a nugget.

Cambridge_Beach_sunset
Sun sets as a fishing boat slides into Ipswich Bay.

Finding the photographic nuggets is what makes any photographic trip worthwhile. Make time to explore and they will show themselves to you. Don’t rush about trying to fit everything in. Concentrate on a few areas and really work them in the best light possible. Nuggets don’t appear at 12 noon!