fbpx

Winter Landscape Photography

red barn in snow
A red barn sits on the shore of a cove in Gloucester Ma during a recent snow storm. Fuji X-T3, XF 50-140 @ 94.5 mm

Landscape photography during the winter months can be very rewarding if correct pre-cautions are taken. Make sure you dress warm, plan your photo shoot, and make sure your gear is protected. If you follow these three simple rules you will make out just fine. The only caveat is the weather and what it can throw at you. Recently I went out on an excursion in a light snowfall knowing that the weather would not be a problem and that my gear was protected. With my Fujifilm X-T3, X-H1 and all the lenses I was using all weather resistant I knew that there would be no issues with water.

The first location I have photographed before but not in the snow. It used to be a boat house but is now a private residence. It has always been a wonderful red color and it stands out against falling snow. I made several different images of it but the one above is the one I wanted. The image was made at 1/50s to catch the movement of the snow. This is always a good idea to show a little movement with snow unless your goal is to make the snowflakes smaller and to create a different feel to the image.

Lens choice is also a critical factor when shooting in the snow or any kind of adverse weather. A wide angle lens will not show any compression of the snow at all an unless it is snowing heavily with large flakes it will be hard to show the snow in action. The image below was made with a 24mm equivalent lens and you can see that the snow is less visible.

Red barn in snow
A red barn sits at the head of a cove in Gloucester, MA during a light snowfall recently. Fuji X-T3, XF 16-80 @ 16mm.

My next location for this shoot was to go over to East Gloucester at the head of the harbor and shoot some fishing and lobster boats with a very long lens to compress the snow even more. I also shortened the shutter speed to between 1/125 and 1/200 to stop the snowflakes instead of a longer shutter speed which shows motion. I wanted a more painterly look to them.

 

Fishing vessel Princess Laura
The stern trawler Princess Laura waiting out the storm. Fuji X-H1, XF 100-400 @372.6 mm

I love this shot of this fishing boat as the snow is compressed enough that it looks like it’s really snowing hard and the gray of the sky and snow is in stark contrast to the boat, it’s super structure, the pilings and lights of the pier. The 100-400 really did it’s job in this instance. Next I was looking for a Christmas card shot for a client for next year and was looking for lobster boats in the snow. Again the 100-400 was the best choice.

Lobster boats in the snow
Lobster boats sit idle during a light snow storm in Gloucester, MA.  Fuji X-H1, XF 100-400 @218.7 mm

Another shot I love that shows the snowflakes stopped in action giving this image and almost painterly look. The compression with this focal length is outstanding and really pulls the scene together for me.

So go out in the snow keeping these suggestions in mind, Bring the right gear, stay warm and enjoy! Check out the video below on my Youtube channel.

Documentary Photography – Sylvina W. Beal Project

Harold Burnham
Harold Burnham looks over plans for the Sylvina W. Beal.

I am a history and vintage sailing buff! So when I get the chance, I am all in when it comes to documenting a project that involves both. Wooden schooner builder Harold Burnham of Essex is working on a long term project rehabbing a wooden schooner that is over 100 years old. So back in February I was over at his shipyard working on a video about the beginnings of this project as he cut red oak planks. After he was finished cutting planking we ventured up to the third floor of his house to look over the plans for the Beal. I was using my Fuji X-T3 and the Fuji XF 16mm f 1.4 for the tight space he was working in. This lens was perfect for shooting in the tight confines of his office.

Half models, ducks and whales
A half model of the Sylvina W. Beal and naval architectural tools wait to be used.

This lens is beautiful for this type of work it’s f1.4 aperture is wonderful for dimly lit scenes. In this case the lighting was not bad as there was a window and a lamp providing some great lighting. The image above was made at f 5.6 which is optimum for this lens. I just love how the depth of field flows out into the background. The close focus ability of this lens is another outstanding feature as you can see above. The whale weight used in holding splines in place is only about three or four inches long so I was pretty close.

Initials of naval architect William Duggan
Harold Burnham reveals a story about how he obtained his naval architectural tools.

the image above was made at f4 and also shows the closeup ability of this lens. It was a great couple of hours with Burnham over at his shipyard and some of the images I made are very nice. Photographing documentary projects is a great experience for folks to learn to use their gear in varied circumstances. Problem solving while working in a fast paced environment is something all photographers need to learn. In the video below Harold tells a wonderful story of how he obtained the naval architecture tools he uses for every boat he works on.

 

Using Vintage lenses on Mirrorless Cameras

Rockport Harbor
Still clear morning at Rockport Harbor

Using vintage lenses that were manufactured many years ago has always fascinated me! For photo geeks it’s intriguing but for most people they just care about the image. So recently I went out to test a lens that was made in 1958 the Leica 35mm f3.5 LTM (thread mount) Summaron. I was given this lens when I was 15 years old along with the external viewfinder. A few years ago I had the lens cleaned of fungus and started using it on my Leica M-P 240. The unfortunate thing is that the thread mount to bayonet mount I have on it is for a 90mm not a 35 so the wrong frame lines come up in the viewfinder. I am sending mine to Tamarkin Camera in Chicago in return for a 35mm one. It will be fun to be able to see the frame lines correctly for once.

Rockport Harbor
Still clear morning at Rockport Harbor

This lens has a very nice vignette to it as you can see in the image above. It’s like a piece of jewelry all cleaned up. What a gem! I was curious to see how the color would be an I was pleasantly surprised at the images I got.

Dinghy's
Dinghy’s at the Gloucester Maritime Center

The black and white conversions were outstanding as well meaning that the contrast was top notch. I found very little wrong with the results they were outstanding.

Dinghy's
Dinghy’s at the Gloucester Maritime Center

Finding compositions over at the Maritime Center is a breeze as they are everywhere. I just loved poking around the old hulls etc. The combination of this little lens and camera brought me back to the old days of shooting with my Leica M3 with this lens. I can’t wait to shoot some film with that combination later on this summer it should be fun. Below is a video I did on this little project.