Visual Story Telling Archives - Cape Ann Photo Tours

Bailey Island Maine Lobster Shack

May 30, 2021 by Kirk

Maine is such a huge state it’s almost impossible to see every part of it. One place I have never visited is the Bailey Island lobster shack. This island is located south of Brunswick and Harpswell and is a quintessential coastal Maine location. The main resource is lobstering and it is in evidence everywhere. A friend showed me a photograph of a lobster shack that sits out on a rocky point in Mackerel Cove on Bailey Island. I knew right away I had to photograph it. This proved to be a little more difficult than initially thought. It was low tide and the access was very tricky. From the road I had to climb over a guard rail and down a steep embankment to get onto the tidal plain. But it was worth it. The sun was in and out and I had to wait for the right light before making the photograph below.

Luckily the rocks and seaweed added a foreground element leading up to the shack. The calm water added just the right element, a mirror like reflection! I now have several wonderful images of this iconic lobster shack and can’t wait to bring our tour group up here in June. There were many other fabulous images around Mackerel Cove. One of them was this derelict lobster boat which was pulled up on the beach at the head of the cove with the name “Full Throttle” which was appropriate for an abandoned boat.

Cape Ann Photo Tours will be leading another group up to Mid Coast Maine in September so be sure to click the link and check it out. This tour takes in Boothbay to Camden which is a pretty large area. If we have time we might even make it down to Bailey’s Island. My co-leader for this tour is Jim Scouletis a well know photographer here in Massachsetts check out his website here.

Finding the abstract in the ordinary

October 22, 2020 by Kirk

Tripping and almost falling while looking for good photographic view points is one of my strong suits! When I stumbled across this scene in Greenfield NH I knew the possibilities were outstanding. The obvious choice is to shoot the wide scene with all the colors surrounding the covered bridge. Last week a friend and I were up in southern New Hampshire and were faced with just such a shot. Make the obvious shot of course and even wait for the light to hit the leaves better and light things up even more. But, the more interesting shots can be abstract images made by thinking differently. Here is the obvious scene below.

Hancock Greenfield Covered Bridge — Colorful foliage can be seen around the Hancock – Greenfield covered bridge in Geenfield New Hampshire.

Did you notice the little surprise making this the quintessential New England image? In the right hand corner there is red and white fishing bobber that has gotten caught in the branch. How many times as a kid fishing in Maine did I do that? Here is a cropped version of the image above which I really like.

With the obvious images made it was time to look for abstracts! The image below is my absolute favorite.

Colorful foliage can be seen under the Hancock – Greenfield covered bridge in Greenfield New Hampshire.

The framing of the colorful fall leaves by the bottom of the covered bridge and its reflection make this image tops. A part of the scene as an abstract image what a concept. The next image is a little harder to pick up but it’s very interesting.

Colorful foliage can be seen in this reflection at the Hancock – Greenfield covered bridge in Greenfield New Hampshire.

This image is all reflection! If you look hard you can make out the water at the top of the frame. Some great images can be made if you look for parts of the obvious image as an abstract! So next time you are out shooting and faced with the obvious iconic image look for something different with a longer lens.

Wide angle landscape photography

October 15, 2020 by Kirk

Wide angle landscape photography can be described in two ways. 1. Getting in an entire grand landscape and 2. Emphasize the foreground as much as possible. In these two images I have tried to emphasize the foreground using the foreground to lead the eye into the frame and up to the lighthouse using the striations of t he rock below the light. I tend to use method #2 more than the first one because that is how I have always used my wide angle lenses. Using the foreground method you are able to use compositional elements to your advantage more than with any other lens. You are also able to get the most depth of field using wide angle lenses. Distortion can be your enemy or your friend depending on how you look at it. I love the distortion a real wide angle lens, eg; 15-21mm can give to your foreground. It’s always been a favorite technique of mine. In the vertical position especially, with the camera pointed downward the foreground just jumps right out at the viewer. The image above is just such an image. The rock formations take center stage and draw the viewer into the image.

With this image the opposite is true. Tilting the camera to one side or the other distorts that side. As you can see in the image above, the left side is is much larger than the rest of the image and draws the viewer into the image and up to the lighthouse. To me this is the best way to work with extreme wide angle lenses. Now if the distortion is too much then you can correct it your processing software.

While working on compositions at this location I was very cognizant of the fact that foreground distortion was important. This prevented me from looking for other types of shots which I regret. Nothing really with longer lenses which is a problem. Working the scene is one of my mantras.

I did get the shot above using my Fuji XF 16-80 but I cropped it up from the bottom to make the composition tighter. So as you can see, wide angle landscape photography can be used in many ways I have given you just a couple.